Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
Chris Neilan is a screenwriter, author and filmmaker who is interested in unconventional storytelling, counter-cultural approaches, intimacy, tenderness and truth.
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CHRIS NEILAN
Chapters & Articles:
‘Narrative Structure in the Iranian Screenplay: An Analysis of Asghar Farhadi’s The Salesman’ (2022), in The Bloomsbury Handbook of International Screenwriting Theory, edited by Andrew Gay & Ann Igelstrom. Bloomsbury.
‘The Power of Schism: Unconventional Narrative Structures in the Screenplay’ (2022), in Journal of Screenwriting, Nov 2022, edited by Gabrielle Tremblay and Romina Turina. Intellect Books.
‘Narrative Structure & Aristotelian Proper Pleasure in Spartacus’ (2022), in Before And After Kubrick’s Spartacus, edited by Kerstin Stutterheim and Elisa Pezzotta. Liverpool University Press.
‘Cinematic Inception: Ben Wheatley’s Down Terrace’ (2016), Film International, 14 (1), pp151-156. Intellect Books.
‘Cinematic Inception: Christopher Nolan’s Following’ (2015), Film International, 13 (2), pp135-142. Intellect Books.
‘Busan International Film Festival, 2-12 October 2013’ (2013), Film International, 11 (6), pp89-92. Intellect Book.
Conferences:
Screenwriting Research Network Conference, September 2022. Video Essay presentation: ‘Reimagining the First Act: Hou Hsiao-Hsien and the Languorous Cinema of Place.’
Scottish Graduate School for Arts & Humanities Global Connects, July 2022. Panel moderation: 'Global Film Industry, International Cultural Heritage and Public Engagement', with guests from UNESCO Cities of Film.
Screenwriting Research Network Conference, September 2021. Paper presentation: ‘Meaning Creation and Unconventional Narrative Structures in the Screenplay.’
AR@K20 Symposium, Oslo, Norway, March 2020. Paper presentation: ‘Challenging Brand Hollywood: Unconventional Narrative Structure as a form of Culture Jamming.’
CARTA Summer School 2020, CQUniversity, Noosa, Australia, February 2020. Participant.