Chapters & Articles:

‘Narrative Structure in the Iranian Screenplay: An Analysis of Asghar Farhadi’s The Salesman’ (2022), in The Bloomsbury Handbook of International Screenwriting Theory, edited by Andrew Gay & Ann Igelstrom.  Bloomsbury.


‘The Power of Schism: Unconventional Narrative Structures in the Screenplay’ (2022), in Journal of Screenwriting, Nov 2022, edited by Gabrielle Tremblay and Romina Turina. Intellect Books.


‘Narrative Structure & Aristotelian Proper Pleasure in Spartacus’ (2022), in Before And After Kubrick’s Spartacus, edited by Kerstin Stutterheim and Elisa Pezzotta.  Liverpool University Press.

‘Cinematic Inception: Ben Wheatley’s Down Terrace’ (2016), Film International, 14 (1), pp151-156.  Intellect Books. 


‘Cinematic Inception: Christopher Nolan’s Following’ (2015), Film International, 13 (2), pp135-142.  Intellect Books.


‘Busan International Film Festival, 2-12 October 2013’ (2013), Film International, 11 (6), pp89-92.  Intellect Book.


Screenwriting Research Network Conference, September 2022.  Video Essay presentation: ‘Reimagining the First Act: Hou Hsiao-Hsien and the Languorous Cinema of Place.’ 

Scottish Graduate School for Arts & Humanities Global Connects, July 2022.  Panel moderation: 'Global Film Industry, International Cultural Heritage and Public Engagement', with guests from UNESCO Cities of Film.

Screenwriting Research Network Conference, September 2021.  Paper presentation: ‘Meaning Creation and Unconventional Narrative Structures in the Screenplay.’ 


AR@K20 Symposium, Oslo, Norway, March 2020.  Paper presentation: ‘Challenging Brand Hollywood: Unconventional Narrative Structure as a form of Culture Jamming.’


CARTA Summer School 2020, CQUniversity, Noosa, Australia, February 2020.  Participant.